“On the Bit”—Next Phase
“ON THE BIT”—NEXT PHASE: BALANCING
POINTS:
·
Balancing
·
Building
· Rewarding
In the previous stages, you worked on relaxing the
frame, primarily by loosening the
jaw, poll, and any bracing
in the muscles of the neck. You should have found that this transfers its
loosening effect all the way along the topline, through the shoulder and down
into the hind legs, creating regularity and an easy, swinging in the gaits, as
well as an overall lengthening of the horse’s outline.
However, as noted before, using the inside “Direct
(Leading) Rein” will have the effect of slightly loading the inside fore. This
is not the great sin it is often made out to be, especially when the horse is
relaxed (not rushing) and working at a natural pace (not pushed) on straight
lines and gentle curves (not tight turns.) However, your goal in this next step
is to shift that balance from inside to outside. You will do this by creating a
subtle inside lateral flexion throughout your horse’s body from the long low
frame.
HOW IS THIS ACCOMPLISHED?
Begin in walk. Once you have your long, soft,
relaxed outline established, ease into the “Indirect
Rein of Opposition Behind the Wither” with the inside rein, coupled with an
outside “Direct
(Opening) Rein:”
•
Gently bring the inside hand toward your navel above and behind
the wither (imagine a line from the corner of the horse’s mouth to his opposite
hip) always careful never to cross the line of the wither.
•
Here the hand offers gentle resistance by closing the fingers slightly,
but does
not pull.
•
And at the same time, open your outside hand away from your horse’s
neck, also lifting into the corner of the mouth.
(Remember to keep a supple arm from hand to
shoulder, with a straight line from the bit, through the wrist, to the elbow. Unclench
your fingers—you should hold the reins as if you have an uncooked egg in each
hand.)
These two rein aids used simultaneously allow the
horse’s balance to be more or less distributed evenly between outside fore and
hind. The frame remains long and relaxed. Most importantly it should be natural.
There should be no true collection yet, as there is no real contact in the
outside hand; it is just there as a guide. All contact is light, and the inside
hand merely suggests a soft bend to the inside, where the rider can just see
bridle buckles or the horse’s eye at most. This gentle, subtle lateral bend at
the poll is transmitted evenly through the entire body.
The inside leg rests still against the horse at
the girth for support, but does nothing;
no prodding with every step, no squeezing, no spurring, etc.. The outside leg,
slightly behind the girth, is completely passive.
WHAT DOES THIS ACCOMPLISH?
The effect of these two reins on the horse is
simple and direct. The inside rein of opposition behind the wither subtly
blocks the horse’s impulsion on that side causing the horse to bend evenly
throughout his body as it simultaneously redirects the horse’s balance to the
outside of the body. In addition, the horse will load both the outside hind
and, to a lesser degree, the outside shoulder, and will have a tendency to move
forward and out through both.
At the same time, the outside rein “opens the
door” to that flow of energy, allowing the horse’s body to round out into the
bend, and allowing his balance to shift outward into his shoulder, allowing for
a more or less even distribution of his balance over the outside of his body.
This is a very strong and confident position for a horse to be in while
carrying a rider, particularly in the green and developing stages of his
training, and it requires little maintenance from the rider. This is where the
horse begins building strength, confidence and trust. Don’t shortchange these
first two phases: the loosening and trust-building of phase
one, and the foundation-building of phase two.
This new balance and it’s centrifugal force are
enough to cause a slight outward drift, but with the addition of supporting
inside leg, he is even able to leg-yield or spiral out into the bend while that
“door” remains open. This will help keep you on the rail or out on the circle,
where in the previous exercise you may have felt you were always falling in on
your turns and circles because of the “Direct (Leading) Rein” and its inward
gravitational pull.
IN PRACTICE:
Curved figures:
Begin in corners, on large circles and on wide,
curved lines, figure-eights, serpentines, etc., incorporating changes of direction
through a few strides of loose, straight long and low if necessary in the
beginning to make your transitions as stress-free as possible.
Spiral out and leg-yield:
Don’t be afraid of the outward drift that tends to
occur here: embrace it. Ever wondered what the aids were for spiral out and
leg-yielding? You’ve just learned and practiced them. Just add inside leg and
increase your outside “Direct (Opening) Rein” as needed. Keep your eyes up, use
your feel, and adapt accordingly.
Note: Just be careful not to overdo it here. These
are tools, not tricks, and their value is limited. They can become bad habits
leading to aimless drifting, and learning to move outwards from the leg is not
the goal of this phase, so remain focused. Everything in moderation. (Also,
remain in forward motion: these aids will work for turn on the haunches, but
that requires more precision and would be somewhat counterproductive at this
loosening, balancing stage—add it later.)
Calm, forward and straight:
Yes, this works even when riding straight lines, preferably
along the long sides of the arena where you have the support of the rail. It
should be easier now to keep to the track than in the loosening first phase
where steering and balance were less a priority. And though you are not working
on collection yet, if well tolerated by the horse, maintaining that slight,
gentle inside flexion described above, even on straight lines, will serve you
well here and into the next phase. Just remember that the outline here remains
long and loose, even with the slight overall lateral flexion.
REMEDIES AND REWARDS:
Horses do not have to be trained to understand the
“Indirect Rein of Opposition Behind the Wither” aid; it affects their innate
sense of balance and biomechanics. If done correctly (and hopefully humanely)
it will simply work. Practice it with patience and discretion. Introduce it
slowly, reward generously, and keep your sessions short, alternating between
the balanced, gentle head-to-tail flexion of this phase and the long, loose
frame of phase one. You’ll see a remarkable transformation in your horse; don’t
be greedy.
If you or your horse become confused, frustrated
or you run into a setback, don’t panic. This is horsemanship. It will take time
and practice and you will have to go back and forth between these first two phases
continually before moving on to the next phase. And, the long and loose phase
will forever be your “reset button” and your reward, so if things get tense or
your horse becomes tired or resistant—or you simply want to take a break or
give a reward—downshift to the loosening posture you’ve already established.
This is your new home base.
Also be advised, this is not the time to worry
about precise steering, imperfections, or making it pretty. If people are
watching, they may not understand what is happening or what you are trying to
accomplish. You may look like a complete beginner who can’t steer. Your horse
may look like he’s “misbehaving.” Don’t let it throw you or frustrate your
efforts. An audience is too often the enemy of good riding. Ignore them. Be
patient and be persistent. Your solidly built result down the road will speak
for itself, even if it doesn’t have a perfect gloss on it today. The only one
you have to explain yourself to is your horse.
I hope
this installment has been helpful. It has been a long time since I posted
anything. Feel free to write with any questions or comments. I am pretty busy
these days, but I will do my best to get back to you about any training
questions you may have. Good luck!
It has been awhile. I'm happy to see you back.
ReplyDeleteThanks for this next installment in your series. I can only say that I know we've tried this at home with Dusty and Blue and it has helped them and me tremendously. Thanks.
Hope you continue to keep up the series it's very helpful to me.
thanks, we'll see how long i keep it up ;-)
Deleteyeah, the change in dusty and blue is remarkable. it's a very simple method once you understand the concept. and the horses really seem to appreciate it :-) it's been the key to rehabilitating grady as well after years of bad feet, draw reins and a pelham in the wrong hands :-/ he's a different horse now.
It has been awhile. I'm happy to see you back.
ReplyDeleteThanks for this next installment in your series. I can only say that I know we've tried this at home with Dusty and Blue and it has helped them and me tremendously. Thanks.
Hope you continue to keep up the series it's very helpful to me.
Nice to hear from you again, and thanks for the very useful posts.
ReplyDeletethanks, i do hope people find them useful :-)
DeleteThank you so very, very, very much: Your Site & your instruction are, for me, the...best...riding & training resources & "teaching" I have...ever experienced. Would that I could actually...ride...under your eyes!
ReplyDeletethank you, shoshin, i very much appreciate your feedback. i wish that i could be of more help, and if i could work with you in person i would! please let me know if there are any topics of interest or things i can post on in the future that might be useful :-)
DeleteHow did I miss this new post? :) Thanks for your expertise and clear way of writing it for us. I hope you're well and happy - would love to hear from you if you get a chance!
ReplyDeleteAs one who rode astride and later aside I can concour. It is neither comfortable nor correct to use a crest release. Aside it is not possible, unless a broken rib or two is intended. The horses I rode were half draft, and heavy on the forehand, any additional weight would off balance and cause them to stumble. Indeed, a gentle half halt to encourage lightening the fore was often required prior to a jump. As the horse lightened and the hands give, loose reign offered plenty of opportunity for the horse to execute a beautiful arc without the riders weight ever shifting perceptively.
ReplyDeletehi unkown--thanks for your comment. it never occurred to me, but now that you mention it, it makes perfect sense that it would be even more awkward and dangerous to use while riding aside! yet another reason to avoid it altogether...
ReplyDeleteThank you for the two exercises they akin to my circle game just to get the horse relaxed and moving getting used to the message from the direct rein. Great stuff
ReplyDeletehi david, thanks for your comment. i'm glad you've found these exercises helpful. good luck!
Delete